Tag Archives: hair

gina @ frieda

So I finally did it. After a few moments of anxiety at the change I can say I am super excited about it! Everyone keeps asking me for pictures so here is a good one contrasting the physical/mental change (HA! I kid). It’s a lot lighter than I anticipated on the whole but I like it: the color came out exactly as I asked for it. You can’t really tell in the pic, but there is still a lot of my natural color left underneath and around the highlights, and the two will blend seamlessly as it grows out.

Balayage is the French word for sweeping, which describes the highlight technique used to achieve this kind of color. Color is painted on with a brush in sweeping motions. Hair is sectioned evenly but teased and tousled while the color is applied so the finished look is imperfect. Since the process is less exact than a cap or foil highlights, it looks more natural. The head is done in sections and each one is rinsed out at a different time, so there is a lot of tonal variation, making it rich and multi-dimensional. Even if you want more highlights than I went for, without the ombré/graduated effect, I would still recommend balayage. It would be a good idea to find some pictures of exactly what you want to bring to the salon. Have reasonable expectations and try to find a hair texture and skin tone that is similar to yours if you want an attainable endpoint. An expert colorist can help you customize the look for yourself but he/she can’t work miracles. (I arrived at the salon with the picture below of Lily Aldridge, and expected to be mocked. Instead, Gina gave her approval and even thanked me for picking something realistic. Apparently most people who come in ask for Gisele’s hair. But really who can blame them?)

The process was intense — 3 hours from start to finish, not including the cut, which Chris did earlier in the day — and expensive, but as with everything you get what you pay for. After a lot of asking around and a major sense of urgency (I really wanted to surprise/terrify Boyfriend with the color upon my arrival in Paris) Bennie was able to pull some strings and squeeze me in with the über-talented Gina at Serge Normant at John Frieda. It goes without saying that this is one of the most amazing salons in New York, and perhaps in the entire United States, so I was prepared for something awesome. Color guru Harry Josh – who does Gisele and Rose Byrne’s (love) hair – and Luigi Murenu are in residence, and I heard from inside sources that Gina does the color for all the top girls at the agencies, particularly when Harry Josh, who does primarily celebrity and editorial work, is not in the salon.

Gina was quiet and professional; her work was so methodically precise, even when she was sending a section into disarray it seemed calculated. Her discerning eye was ever focused on her canvas, and even though her assistant, Kim, observed and aided throughout, Gina did most of the work herself. She created a color that would work with my skin tone yet still give me the look that I wanted. The end-result is a caramel/golden mix of highlights with some lighter blondes thrown in for contrast. When I wasn’t contemplating her work, I was free to spy on other clients with the wall-to-wall mirrors. I was half-expecting to see models lining the chairs, maybe a celebrity, but none of the above materialized. There were normal people like myself, of all ages and with all kinds of hair, probably all hoping to leave with a better head of hair than they came in with. I watched an older woman’s baby-fine hair gently blown out into a fluffy bob by an cute edgy girl with bangs that came down over her eyes. In the time it took me to get my hair colored, the male stylist next to me underwent the Herculean effort of cutting and coloring the hair of three clients, including a massive mop of coarse corkscrew curls (say it three x fast), all while engaging his adoring clients in conversation. I watched as a bald stylist in the mirror behind me teased and styled a blonde’s somewhat mild-looking straight hair into a voluminous, wavy blowout, while her friend looked on with a mixture of envy and wonder.

Since Gina had to run, a stylist named Amanda blew out my hair so I could go to the airport. She was amazing and gave me exactly the wavy look I wanted in less than 30 minutes. This is one of the best-kept secrets in the Meatpacking District; I think this salon needs to be my new blowout spot. Call for pricing, and you will be pleasantly surprised. For less than the price of ubiquitous beauty bar blow, you can have an expert blow out your hair perfectly.

I can’t recommend Gina and Serge Normant at John Frieda enough, so please get in touch with any questions! Although laziness plays an integral part in my new color (ie it will look even better as the roots start to grow out) color needs TLC in order for it to look its best, so styling + care ideas to follow soon.

and something new in 3…2…

kristen/kirsten

V Magazine Issue 64 is bringing us many good things — Mario Testino, Daria Werbowy — but none that I am quite as excited for as the magical pairing of Kirsten Dunst and Kristen Wiig. Kirsten can do no wrong in my eyes (even as an anime babe I adore her) and I am happy to see her looking more like her glamorous self. Mario Testino does a diva good. To see vintage Kirsten in action check out this video, The Making of Marie Antoinette, although it should realistically be called the Making of Kirsten Dunst’s Hair. Amazing pouf action going down — I need that hairspray for my French courtsean costume.

Meanwhile, who knew Kristen Wiig was such a hottie? Her SNL characters never fail to send me into convulsions of laughter, no matter how insipid some of the surrounding actors/skits can be (MacGruber? Was funny the first time. Not the subsequent thirty.. ugh, can’t believe they managed to make a feature-length film out of this mess.) V dressed her as iconic women displaced in bizarre scenarios — Carmen Miranda does Vegas, Brigitte Bardot goes Geisha, and Bollywood Frida Kahlo. As much as I love her on SNL, she needs her own bizarre scenario; someone get this woman a show, please! Click on the Wiig pictures up close and check out her fierce nail art.

meet the new gibson girls

Last week I wore my hair up in what I thought was a cute and subdued (and yes, poufy) manner. Forty-five minutes into dinner, my former boss’ 15-year-old daughter asked me whether I watched Jersey Shore, then coyly informed me that my hair looked just like a certain greasy Oompa Loompa’s. This is the second time in as many weeks that I have had to deal with otherwise literate and well-adjusted teenagers who seem to be getting their only fashion cues from MTV. I may not be able to convince Brother the Younger to wear straight-leg jeans (yet) but I am not giving up the pouf to the guidettes of the world.

Once upon a time, when a woman’s hair was known as her “crowning glory,” Charles Dana Gibson sketched what would ultimately be the first pin-up: the Gibson Girl. Fresh on the heels of Parisian hairdresser M. Marcel Grateau, whose heated wave iron would change women’s hair forever, Gibson sketched his feminine ideal with a tiny waist contrasted with upswept curled hair piled high. Besides being beautiful, the Gibson girl was at ease, fashionable, and an equal to man.

Ladies, this is how it’s done:

Clockwise from top left: Chanel-approved extensions and pouf; Miu Miu girls sporting half-up and braided pompadours; models at Elie Saab with Gibson Girl hair; fluffy and refined at Louis Vuitton; more Victorian throwback hair (and couture) at Christian Dior; Eva Mendes; poufs and tortoiseshell glasses at Michael Kors; candyfloss hair at Roberto Cavalli; love the hair, love the lips, love Kirsten Dunst as Marie Antoinette; structured updos at YSL.

passage de l’industrie

With Paris fashion week quickly approaching, I’d like to share some more info for my fashion-minded friends visiting the city. I already blah blah blogged about Merci, but those of you craving a hair + nail fix should head over to Passage de l’Industrie in the tenth, just off of Rue du Faubourg Saint-Martin. My friend and hairdresser Chris has been telling me to pass by because I always short-circuit my blowdryers on the wimpy euro plugs, so earlier this month I finally did. It was not at all what I expected. Upon parking our Vespa in the semi-seedy neighborhood and turning onto the Passage, we discovered the charred remains of the Comfort Hotel St-Martin, lending the claustrophobic alley a charmingly authentic war zone quality. Wig stores line the first block — Postiches, Max’s Perruques, Schana’s — with utterly bizarre window displays that we couldn’t resist photographing. Amazingly, almost all of the wigs are shown with sunglasses, as if to say: you, too, can be a master of disguise!! I wasn’t sure whether to cry, laugh, or run, but by the time we reached Delorme none of those other stores really mattered. European pharmacies are pretty much my favorite thing ever but Delorme is coming in an extremely close second.

Delorme is the epicenter of the Passage de l’Industrie. The beauty supply store has everything a beauty professional (or wannabe) could wish for — hairbrushes, hair accessories, enough pins and clips to fill a hair tool belt (Chris has one of those… it’s awesome),styling products and tools, nail polish, and things you don’t even know existed. Browse a giant catalog of the aforementioned goodies (with pictures you can point to if you don’t speak French), pick out what you want, and the helpful staff will get it for you. After much deliberation, I ended up with 300 bobby pins and 300 French hairpins for 3€ each (although I expected nothing less, they have turned out to be excellent quality) and a Mason Pearson brush I have been coveting for 30% less than the US retail. There is so much variety that the store can be a little overwhelming, but it’s the best place to get a great deal on a few choice pieces. Be prepared with a few things you are interested in buying and stick to those; otherwise you could end up in a pickle (yes, I said it) at customs when airport security finds your bag full of sharp pointy objects and in flagrant violation of the liquids policy.

Delorme, 17 Passage de l’Industrie, 75010 Paris, France‎ – +33 01 44 83 65 00‎

q+a

Q: How do I get my hair to look like this?S.K., NY

A: This is a great easy look for someone with shorter hair. Wash your hair and spray it throughout with a volumizer like T3′s Plump or Kiehl’s Super Thick Volumizer. Then turn upside down and blow dry, using your fingers to smooth the hair but not completely straighten it. Leaving the two side pieces free, loosely pin the hair back; you can put it into a neater ponytail later, the idea now is just to smooth it.

To get Ms. Chung’s curly front pieces, use a curling iron. Curl, pin, and spray with hairspray, while maintaining the center part. While your curls are pinned, brush the rest of your hair upwards and backwards into a loose ponytail, brushing back towards the base of your head with a bristly brush or your fingers. You can also use your fingers to gently pull hair up from the roots for a bedhead look. Pull the ponytail into a loose loop/bun and secure at the nape with an elastic.

Revisit your front curls. Unpin them, then brush them out gently. Brushing will remove most of the spray to leave your hair looking soft and tousled like in the picture. You can use a ribbon or other hair decoration of your choice to add the finishing touch. I really like the ombre effect on the ends of her hair, but for that you will need a little more help than I can provide. Enjoy!

hair envy

This morning I straightened my hair and now I just want it to look like this:

Hairdresser Chris notes: My guess is a 1-inch barrel iron. Looks like Luigi’s hair (ed’s note: Murenu. Could be, or, could be Guido‘s. Have not been able to find a definite answer… need a 2009 Le Book!). The way to get a spiral like that is not to wrap with tongs closed, but to wrap with tongs open, winding in a spiral all the way down the cylinder. Those spirals should fall and not be pinned up. Instead of brushing them out like the polished waves, tease them instead. The crown of the head does not have the spiral all the way to the scalp, it drops flat around to near the temple; that’s where you would start the curl, or maybe a little above that. But to me… there’s a yeti’s back of hair added on to those girls’ heads. And a wind machine.

So let’s keep it all in perspective, shall we?

not guido palau

How long before we see guido-inspired helmets on the runway?

part problem

So this one time, once upon a time, two years ago, after a really rowdy night at Cirque de Soleil (rowdy, I tell you!) with three of my favorites, things were decidedly fuzzy. We had watched some midgets bouncing on people’s heads, we had taken a water taxi across the East River, we had demolished Buck Hunter and perhaps a few six-packs of Bud Light at the Black Bear Lodge. We all finally settled back at MDD’s to continue the party. I was trying to be cool and light my cigarette over the burner on his designer oven when things got hot. Not hot in a good way; HOT HOT in the way that the tops of my eyebrows were singed into ash and suddenly I had a widow’s peak where there was none before.

I have a lot of hair and it has accidentally been set on fire three times, but never have I ever: burnt my preshesita eyebrows.  The unfortunate byproduct of this incident is not whether the hair grew back — it did after a month of chola brows — it’s how it grew back. The permanent problem I now suffer is a misdirected part. The hairs at the center of my forehead (down in front!),  instead of behaving, do their own thing. They’re rebels. They go against the grain. They suffered trauma and were never right again. They do an obscene number of things that are fun to describe but impossible to style. I have tried everything to get them to grow properly; I have cajoled them with hair oils, I have tugged at them, imploring them to go back to their seats. My PTSD hairs are an endless source of (mild) frustration. Chris has suggested massage at the root to try to push the follicles into the correct position. I am considering plucking them violently in the direction I want them to go and seeing how they are reincarnated. Can anyone help? Oh, woe is me with my twelve hairs out of place. The End.

wave hello

I always have love for the perfect wave and I am guessing many of you do as well. It’s a seductive, overtly feminine hairstyle I have been trying to figure out how to perfect for a while. Allure has a great video of Luigi Murenu describing the inspiration behind the hairstyle but not really explaining how to get it. I finally got Chris to show me how to do the glam waves I have been trying unsuccessfully to master on my own. This is not for the faint of heart — you will need some tools, products, muscle, and patience.

1. Wash your hair. Or not. 2. Section your hair and blow dry it straight with a round brush. As you blow dry, use a volumizer, like T3′s Plump, on each section. 3. Decide on either a center or side part and part hair accordingly. Section dry hair and start curling with an iron from the bottom up. For this stage, T3 has another awesome product created just for this purpose: Elevate. It’s a volumizing spray made specifically to work with irons (curling and flat) so the hair stays full as it heats up. It also protects the hair from the hot iron. Your hair will look scarily Medusa-like after this step but it’s supposed to look like that. 4. Brush out each section gently with a soft-bristled brush, like a Mason-Pearson. (Side note to Mason-Pearson: You need a website befitting of a brush-maker of your status.) 5. Holding each section away from your head, use the brush to tease the hair underneath. Sort of take the brush and start at the root and just move in small, gentle reverse strokes underneath each section so the hair is slightly fluffed. 6. Set with hairspray (Elnett is my favorite) and you are good to go!

clockwise from upper left: Angela Lindvall at Gucci SP9, hair by Luigui Murenu; backstage with some Elnett at Valentino FA07, hair by Orlando Pita; big and fluffy at DKNY; Kim Noorda backstage at Jean Paul Gaultier FA09, hair by Michelle Buswell; Lindsay Ellington at JPG; deep side part at JPG; Amanda Seyfried at the Oscars; red lips and a perfect wave on Daria at Valentino FA07; blond coif; expertly done waves that move + bounce @JPG.